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Da helps young Charlie climb up a step to a higher level of the stage, even though Charlie protests that he cannot manage it. Da assures him that he can, offers him a helping hand, and then shows him the spectacular view at the top of Dalkey Hill, which he calls a mountain. As a metaphor for the boy’s life, this ideal image suggests that for the young boy, nothing is unattainable, the way ahead is vast and wide, full of possibility, and his Da can help him see it and realize it.

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Then, as he leaves, he barks out some instructions to Charlie as if the boy were still a child. Deflated, Charlie loses his nerve, and his promising seduction of Mary is at an end. Conflict between father and son is one of storytelling’s oldest themes, from Sophocles’ Oedipus Rex to the battle between Luke Skywalker and Darth Vader in the Star Wars trilogy. Leonard’s memory play Da exploits this familiar theme in an original, often touching, but ultimately extremely sad manner. Brent has a Ph.D. in American culture, specializing in film studies, from the University of Michigan.

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Leech is better as young Charlie, motivated not only by anger, but a mixture of adolescent and more fundamental frustration. His modulated tones and stiff manner give way in one powerful and telling scene. Da is an intricate study of the paradox of influence in some ways similar to Michel Tremblay’s For the Pleasure of Seeing Her Again but lacking that play’s concern with artistic inspiration. Though informed by a political sensibility and featuring elements of allegory, the play is a character piece in which a man struggles with his sense of himself as defined relative to those around him.

Most of the action takes place within a confined kitchen set upon the much larger stage, and though several important moments take place ‘outside’, the sense of broad space on the stage sits uneasily with the text. Director Patrick Mason is well familiar with the material though , and draws out its full thematic richness. Ok, look, the bots between 0 and 100 trophies are actually really good for some reason. Everybody else has good stuff and I get killed 24/7 because I have trash. It’s really hard to progress when everybody else is good. It’s not fun, it’s just annoying, even if you watch YouTube videos that help, it doesn’t.

The damaged relationship between father and son finds a ready symbol in the twisted wires of the thirty pairs of spectacle-frames fused together by fire following the San Francisco earthquake of 1906. They are presented to Da as a souvenir by his employer, and he cherishes them as a valuable heirloom. Those useless spectacles, once used to enhance vision, are like the twisted, obscure pathways, ruined by almost a lifetime of misunderstanding and neglect, that Da and Charlie must use to communicate with each other. They have drifted a long way from the days when the innocent seven-year-old Charlie said simply, “I love you,” to his Da. Those words, in their trust and openness, can never be uttered again between them.